Every bride says she wants her hair to look thick in photographs. Almost none of them need what they think they need to get there, and the difference matters.
What reads as thin in photography is rarely thin hair. It is flat hair. Hair that sits against the head, with no lift at the root and no shape at the crown, photographs as a smaller quantity than it is. A fine-haired bride with a beautifully lifted set can look like she has twice the hair she does.
So the first lever is root lift, not density. A tension blowout with the round brush lifting at the base, a set that cools in the lifted position, and a light root powder at the crown do more than any extension.
The second lever is width at the right place. Volume at the sides makes a face look wider and a style look dated. Volume at the crown and above the ears makes a style look expensive. I always add where the camera looks: high and slightly back.
The third lever is a clean silhouette. Hair with a clear shape photographs as more intentional and, oddly, as more abundant. A blurry mass reads as less.
Extensions come last, not first. If you have genuinely fine hair and want a full updo, two to four wefts of the right hair give you density without weight, and they photograph seamlessly. Guidance for that is at majesticextensions.com.
Tell me you want it to look thicker and I will start with lift, not hair. Inquire with your date.
The Products I Actually Use
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